William C. Tracy has a new Queer/MMF sci fi/fantasy/steampunk tale out, book two in the Dissolution Cycle: “Facets of the Nether.”
The Dissolution approaches.
Sam has saved the Assembly of Species, but at a terrible cost. Locked in his apartment, his memories gone and his best friend abducted, he is once again crippled with anxiety. Meanwhile, Enos struggles to free her brother from imprisonment, alone for the first time in her life. Her true species has been revealed, and there are hints the deadliest of her kind survived an ancient war.
But the Nether contains more secrets. A musical chime disrupts daily life, signaling changes to its very fabric. To solve this mystery, Sam must face his anxiety and confront truths about his memories and unique abilities. Only then can he save his friends from the machinations of the Life Coalition, by understanding the reality behind the Facets of the Nether.
William is giving away a $10 Amazon gift card with this tour. Enter via Rafflecopter for a chance to win:
– The appearance of a new house of the maji is not to be as surprising as its origin. My apprentice, who firmly appeared to be of the House of Communication, is the one who is showing me these new things, at my age. Truly, the Nether is changing.
Journal of Origon Cyrysi, Kirian majus of the Houses of Communication and Power
A chime erupted through the Imperium, as if all the crystal plates in the world rang and shattered at once. Samuel van Oen held his ears and, through the window of his mentor’s apartment, watched a flight of alien birds split and scatter at the noise.
“What was that?” Sam dropped his hands from his ears as the sound stabilized into a deep, clear tone he felt in his gut. It was loud, but not as unbearable as it had been. Deep in the back of his mind, the Grand Symphony responded to the noise like a tuning fork against a plate of metal. The different rhythms fractured and multiplied at the chime, like the whole world was vibrating.
No one answered his question, as Majus Cyrysi was out again. The Kirian had spent more time in the libraries of the Spire than in teaching Sam, not that he was ever particularly good at teaching.
The tower of the House of Communication vibrated beneath Sam’s feet as the sound lessened to a background hum. The music normally playing in its halls had ceased during the explosion of sound, but now picked up fitfully, warring with the chime’s resonance. The flock of birds—with crests of orange, and three scaly wings down each side of their body—swooped in an irregular pattern, disrupted by the noise.
Sam went to the window and looked down. To one side, dust fell from the strange stone bridge that ran from the middle height of the House of Communication to the immense wall of the Nether. He’d been out on it before, as it was a curiosity of this House, and maji occasionally used it to take in the view. There were a few maji on it now—a tall Etanela and two Methiemum—looking up at the immense wall of the Nether, bathed in blues and purples like a titanic sheet of ice.
On the ground far below, people milled around in confusion. Sam guessed the bell-like sound wasn’t normal, but he’d only been in this place a little under two months. Before that, things became blurred and hazy in his mind. The presence that had rooted through his head took many of his memories. He remembered Earth, and that he had stayed with his aunt after something happened to his parents. Their faces refused to come to mind. Thinking about what happened at the Dome of the Assembly made him seek the silence of Majus Cyrysi’s apartment, and he couldn’t stop. He was obsessing about what he could have—should have—done differently. He was slowly spiraling down to a place of solitude and loneliness, and his body wouldn’t obey his deeper wish to break the cycle.
Sam jumped back from the window as someone banged on the door. A spike like an icicle in his gut went through him. Sweat pricked his forehead.
Don’t be someone new.
It could only be one of a few people, but his throat threatened to close at the thought of explaining why he was sitting here alone, staring out a window. How long ago had Majus Cyrysi left?
Sam put one eye to the peephole in the door, then sagged in relief. It was Enos. He could ask her about the sound digging its way into his head.
He opened the door and let his friend in, looking her over. There were bags under her eyes and she hadn’t combed her long black hair.
“You haven’t slept either, have you?” said Enos.
Sam let out a burst of air. It wasn’t quite a laugh. “That’s what I was going to say.” He pulled her into the room by her hand, quickly closing the door. The hall should be familiar, but it didn’t feel like the right day to go outside. Again.
“You hear that too, right? Do you know what—”
Enos shook her head. “No idea. I was about to ask you. People are running around like mad. I don’t think anyone knows.”
Then why would she think I knew? He stared at the closed door.
Enos followed his gaze, then took his other hand. “It’s been a ten-day since you left Majus Cyrysi’s apartment.” She winced as if she had a headache. Probably that irritating chime. It was like a dull drill, pressing against the back of his head.
Sam frowned. Now wasn’t the time to talk about going out. Couldn’t Enos see he had other things on his mind?
“Before this noise started I was trying to remember…remember—” He bit his lip and focused over her shoulder. It was something about Earth. He’d almost had it.
“Remember what?’ Enos asked, bringing his focus back. “Is it connected with the attack on the Assembly? Or about the new themes you hear in the Symphony? Can they help us find Inas?”
Sam shook his head. He was letting Enos down.
She won’t want to be with me anymore.
He knew it wasn’t true, but the fact beat against the inside of his head. Inas had been the other side of a scale, balancing him. Without him, everything was harder.
1) What was your first published work? Tell me a little about it.
Tuning the Symphony was the first novella I published. I had already written the first draft of The Seeds of Dissolution, and I wanted to take the other two viewpoint characters back twenty years to see the trouble they got into when they were younger. I originally submitted it to Tor.com when their novella program was just getting started. It didn’t make the cut, but because of a cruise later that year with the Writing Excuses podcast group, I felt like I’d gained enough knowledge to try the self-publishing thing.
Tuning the Symphony really started off the Dissolutionverse, as I call it, which is a society of ten interstellar homeworlds connected by magic instead of space flight. It now includes three novels, four novellas, a novelette and four or five short stories. Tuning the Symphony shows Rilan Ayama going through her test to become a majus, and then going on an adventure to solve the murder of Origon Cyrysi’s brother. The fun thing is, with so many little stories, I’ve been able to put callbacks in the later stories referencing what happened or how they changed the social or political makeup. It’s really fun to jump around in this universe and add more bits of information.
2) If you could sit down with one other writer, living or dead, who would you choose, and what would you ask them?
That’s a hard one. I started out reading, like you do, with Tolkien, C.S.Lewis, and Moorcock, and worked through Piers Anthony, Terry Pratchett, Robert Jordan, and David Eddings. These inspired me to start writing, and to branch out into more esoteric and strange books. I should probably read more non-SciFi and Fantasy books, but there are so many!
Some of my current favorite authors are N.K.Jemisin and Brandon Sanderson, for their sheer imagination and worldbuilding. Lois McMaster Bujold and Mary Robinette Kowal have awesome characters, Jim Butcher has incredible plotting and sense of timing, and folks like Larry Niven, Neal Stephenson, Charles Stross, and James S.A. Corey obviously put a lot of research into showing how real science fiction can be. Lately I’ve been reading a lot of indie authors as well, as my peers are getting published.
So who would I choose? I think I might choose Jules Verne (I wrote a tribute adventure story in the Verne style in Journey to the Top of the Nether). I’d ask him how he came up with all the fantastic inventions he had in his stories and see what he thought of some of his predictions which have come true.
3) How would you describe your writing style/genre?
My books fall right in the middle of Science Fiction and Fantasy. I love putting magic in, but then because I’m an engineer, I always fall back on Arthur C. Clarke’s “any sufficiently advanced technology is indistinguishable from magic.” I want to give some physics background to the magic, so there is a hint of high technology along with it. For example, in my Dissolutionverse, the magic is based on changes made to the Symphony underlying the universe. When the magic users change notes, reality changes. This is based on physics. Any physical system can be expressed as a vibrational equation. Notes are just vibrations (like an “A” to tune an instrument is 440hz). Thus, the universe is built on music!
4) Are there underrepresented groups or ideas featured if your book? If so, discuss them.
There are more in every book I write. Meeting my fellow writers has opened my eyes to a lot of different stories, as well as a lot a different ways of living. First, I started putting more female leads in my writing, as well as making sure I have an even gender distribution. Then I started learning about the gender spectrum, and started adding nonbinary and other characters who use neopronouns, as well as more POC characters. As I went through my own journey of coming out as bisexual, that of course influenced my writing. The main character in my trilogy is bi (or pan), and in a poly relationship.
I was really happy when—while writing Facets of the Nether—I realized I’d just finished a scene where an asexual man, a trans-male alien in a sentient moving chair, and a mute genderfluid alien all had a conversation. I didn’t specifically put them together to make a point. They were there and talking because that’s where the story went, but the characters also happened to fit under those labels.
William C. Tracy is a North Carolina native and a lifelong fan of science fiction and fantasy. He self-published his Dissolutionverse space opera books and has one epic fantasy published with a small press.
He also has a master’s in mechanical engineering, and has designed and operated heavy construction machinery. He’s trained in Wado-Ryu karate since 2003, and runs his own dojo in Raleigh. He is an avid video and board gamer, a reader, and a writer.
In his spare time, he cosplays with his wife such combinations as Steampunk Agent Carter and Jarvis, Jafar and Maleficent, and Doctor Strange and the Ancient One. They also enjoy putting their pets in handmade costumes and making them cosplay for the annual Christmas card. Get a novelette by signing up for William’s mailing list at http://williamctracy.com, or follow him on Twitter at https://twitter.com/wctracy for writing updates, cat pictures, and martial arts.
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